Frank Stuart Flint的诗歌London

London

F.S.Flint

London, my beautiful,

it is not the sunset

nor the pale green sky

shimmering through the curtain

of the sliver birch,

not the quietness;

it is not the hopping of birds

upon the lawn,

not the darkness stealing over all things

that moves me.

But as the moon creeps slowly

over the tree-tops

among the stars,

I think of her

and the glow her passing

sheds of men.

London, my beautiful,

I will climb into the branches

to the moonlit tree-tops,

that my blood may be cooled

by the wind.

Frank Stuart Flint (December 19, 1885 – February 28, 1960) was an English poet and translator who was a prominent member of the Imagist group. Ford Madox Ford called him "one of the greatest men and one of the beautiful spirits of the country".[1]

British poet, born in Islington, London; he left school at 13 and worked in various capacities before beginning his long and distinguished career in the Civil Service in 1904. He published on French poets starting in 1908 and by 1910, his intensive private study had gained him recognition as one of Britain's most highly informed authorities on modern French poetry. His first collection of poems, In the Net of the Stars (1909), consisted mainly of conventional love lyrics.

Flint is mostly known for his participation in the "School of Images" with Ezra Pound and T. E. Hulme in 1909, of which he gave an account in the "Poetry Review" in 1909,[2] and which was to serve as the theoretical basis for the later Imagist movement (1913). His subsequent association with Ezra Pound and T. E. Hulme, together with his deepening knowledge of innovative French poetic techniques, radically affected his poetry's development; Flint invented the open verse phrase 'unrimed cadence'.[3] He published a series of articles on contemporary French poets (1912) that much influenced his contemporaries. In 1914 he was included by Pound in Des Imagistes. He entered into a short-lived dispute with Pound as to each one's relative contribution to the Imagist movement.

During the 1930s Flint was among a number of poets who moved away from poetry and towards economics, working for the Statistics Division of the Ministry of Labour [4] writing that "[t]he proper study of mankind is, for the time being, economics".[5] Flint would go on to publish an article entitled The Plain Man and Economics in The Criterion in 1937.he became a leading spokesman for Imagism and exemplified its methods in the concentration and clarity displayed by much of the work in Cadences (1915). Otherworld, his third and last collection, was published in 1920, its lengthy title poem responding to the desolation of the First World War in its meditations on more viable modes of existence. For some years after he ceased publishing poetry, Flint continued to contribute influential articles to the Times Literary Supplement and The Criterion. He was also a prolific translator of prose works and poetry by French, German, and classical authors. With the exception of some short works arising from his activities as a civil servant, he ceased writing for publication entirely in the early 1930s.

就这么多了，别的实在找不到 我最近也在纠结他